This is it guys.
We are now approaching a place called Sutro Ghost Town.
One of the low-key factor...
How did that just start? - What?
What'd she just say? - Drift with the tide?
There's nothing on my phone.
We didn't touch... I don't understand. - It was like a female voice.
What's she say? - It sounded something like, "Drift with the tide?"
Hey, guys. Just as we drove in, my phone, which is on a home screen,
some lady's voice came through this
and said something.
Drift with the tide?
It was so weird. - Something like that.
My phone was just sitting there. There's no reason for that.
There are things in this world that we will never fully understand.
Understand.
We want answers.
We have worked years to build our credibility.
Our reputation.
Working along side the most renowned professionals in the field.
Capturing ground-breaking proof of the paranormal.
It's working! - Whoa!
I can't give an explanation.
This is our evidence. Our Ghost Adventures.
Make the turn right here.
We have to go through this gate.
The main focus of this place in our investigation is the Sutro tunnel.
Engineer Adolph Sutro, left San Francisco at 1860.
Moved to Virginia City, Nevada
and quickly added extreme wealth to his already successful career
due to the silver ore in the Comstock lode.
He then designed a concept for a drainage tunnel
to eliminate the threat of flooding.
As the focus on mine-workers safety
following the disaster of the Yellow Jacket mine,
the Sutro Tunnel was born.
Despite Sutro efforts to improve workers' safety,
which made him a hero to most,
the amount of mysterious fires and deaths have led some to call
the Sutro tunnel cursed.
Which is exactly why we are here to investigate
the countless reports of hauntings scattered throughout Sutro.
You guys see the Sutro Tunnel?
All the miner that died, all their spirits are said to use that as a portal.
When they come out of that tunnel,
these are the very buildings that they occupy.
And that's what makes this such a fascinating and very scary investigation.
There's no telling how many spirits of those miners
have travelled through the Sutro Tunnel
and what they now believe, is a portal to the spiritual dimension
within these mines.
It isn't just about those deaths.
There was also 12 confirmed deaths
during the construction of this portal.
We first meet site manager Chris,
who informs us that we have stepped onto grounds
with many more deaths and graves
that may be contributing to the hauntings in this ominous town.
Over to our right there, there is a stake sticking out of the ground.
Can you tell me what's eerie about that stake?
Well, we don't know exactly what's buried there.
There's a marker. It says, "Tucker Highland and Lyon spelled L-Y-O-N."
It says, "Died Mother's day."
So, there could be the body of a little baby there.
Yeah.
And nobody knows who put that stake there. - No one knows.
Just, yet another mystery here. - Yeah.
Chris now takes us to the site where a house burned down to the ground.
And even though a vague impression of the foundation is all that remains
the foundation is all we need.
Embedded in that space could be the residue from the fear and pain
that echo during the last breaths of life.
Suddenly, Chris tells us that he wants to show us something.
Something that he's never shown anyone before.
This will be the very first time
that this site and these unmarked graves are gonna be revealed.
Not just on television, but to mean in general?
Yeah. To everybody.
Just walking on this ground is electric.
You can feel a vibration. A definite presence.
So, these are the graves. - Wow.
Here's... - One, two, three, four, five, six,
and this is where the foundation was of the house that burned down.
And this isn't the only fire that has occurred here.
Right behind me is the foundation of an old mansion.
Something started a fire.
Yeah. It did bring down in 1942.
The fire started while they were in the house, correct? Correct.
Could have been arson. - Yeah.
But, that means that this person wanted them to be burnt alive.
Yeah.
What's interesting, too, is that our research indicated
that it was believed that that entire family died in that fire.
And these graves would support that information.
When we drove past this building,
is when this weird woman's voice came through my phone.
rush in with the tide.
I immediately got this thought
like, all these lost souls from these unmarked graves
and all of the deaths from the Sutro Tunnel,
that's where they reside.
That's where they are.
As we take our own steps in life, each closer to our own end,
you almost, with time, become more and more connected to that spiritual side of you
that will be born when that screen goes black.
And for me, that spiritual connection started way earlier in life.
When I saw a photo of this house, I locked eyes on it.
And these buildings, they will talk to me.
And when I saw this house, it said, "You need to come here."
I'm here now to figure out what that message is.
What's incredible about this location
is that as we move closer to every structure,
you can feel a disturbing and swirling energy emanating from its bones
like an invisible fog that envelops your body.
Tellin' you, there's just something about this house, you guys.
I know a lot about that house. That house used to be mine.
Really? - Yeah.
Vietnam veteran, Greg Melton,
felt something dark in one of the rooms in this house.
Something so dark that he would stay far away from it.
Okay. On the... upper part.
Do you feel threatened by that energy when you're in there?
You know, we were just talking to Chris.
He showed us a lot of different unmarked graves here.
And 12 men who died.
You factor in how that tunnel is a central artery
to that network of veins,
and I feel as though that tunnel is a portal.
That port and slurry you have.
So, you've got a geo-magnetic source
coming out of that mine at a nuclear level.
Different mysterious death and unmarked graves,
and what you have is this house
signifying a beacon of residence
for those said spirits.
This is where they go.
Greg then takes us to yet another foundation of a structure
that no longer stands,
and it just happens to be another mysterious discovery
to add to our growing list,
fueling the ominous aura of this faded town.
So, Greg, what is significant about this spot you brought us to?
Where is the cabin now?
That's weird. - That is weird.
How did it get burnt down?
That house over there got burnt down.
Your house got mysteriously burnt down.
The Sutro curse?
And nobody knows how the fires have started.
Greg now shares, the moment that started believing
as well as supplying us with a possible source
of who or what has started all the fires.
So, this happened multiple times? - Yeah.
It was like a film, though.
I'm beginning to think
that this soldier is the root of all the destruction.
It's territorial nature.
Burning down every structure that people try to live in.
Leaving unmarked graves all over this town's foundation.
But why?
The same exact spirit. That's compelling.
That's proof. What more do you want?
This entity, hunting down its victims,
did he follow Greg from the house to the cabin?
Is he holding other entities in the Victorian house?
Is that his chamber? And where is he now?
The storm has passed and we have a strong belief
that this soldier is at the root of the hauntings and multiple fires.
And that the souls he has taken for his own
are locked away inside this chilling Victorian house.
We will not continue to gather more information
before we strategize a thorough investigation of this doomed town
and the Sutro portal.
We meet Nadine, who tells us she entered the Victorian house once
and was confronted by a very aggressive spirit.
What did they tell you?
It said, "**** you." - Okay.
I now make my way down to the carriage house
where two women may have also encountered this same transient spirit.
Collette and Claudia's experience support the information
we have collected so far,
adding weight to the possibility
that this entity is everywhere it needs to be.
I know that you both had experience
in this carriage house.
But I'm gonna send in Aaron and Billy blind
in to investigate this without knowing anything. - Okay.
So, I don't wanna contaminate their investigation when they go inside.
So, why don't... Can we move somewhere else while they enter in there
and do a preliminary investigation? - Yeah. Sure.
Billy and Aaron cross the threshold
to see if they can capture anything
as I simultaneously discuss this building
with hopes that this kind of attention stirs whatever lives within it.
All right, we're coming in.
Whoa. Look at that flooring, man.
Tell me a little bit about exactly what happened,
when both of you were in there.
I was standing by in the big room by the wall,
and there were scratches down the wall behind me.
What do you mean? That you could see the scratches on the wall...
No, I heard them. - You heard them.
Yes. Like, two really loud breaths in my left ear.
I felt pressure on me.
Like somebody is trying to move you. - Yeah.
Like they're trying to, like, push me over.
Like, something is pushing me over. It was just weird.
Just in this area though.
So, what do you think was pushing you inside there.
Like a male energy.
So, a strong male presence. - Yes.
Did you not like that joke over there? Or how come...
I felt that scary energy come upon me?
And there somebody in here that doesn't want us in here?
Were you, like, pushing on my body or somethin'?
Play it back. Play it back.
Did you not like that joke over there? Or how come...
I felt that scary energy come upon me?
It said, "Hey." Like, "Hey, what's up?" Or "Hey, this yourself."
Remember when you said "Hey" joke? - My joke was...
My God. My joke was about "Hey."
Hey. - Is that a horse joke?
And you said... it said, hey.
I felt that scary energy come upon me?
"Held. Tied" - What?
"Held. Tied"
Like captive?
What if someone was held captive here?
I feel like, we don't know what happened in this carriage house.
Tied up. Held.
The guys and I reconvened to figure out
what we need to accomplish
and organize an efficient and intense investigation strategy.
Well...
So, this tunnel, I mean, it's a very unique structure.
And I'm just curious, Bill. Were you able to find more research?
All these vertical black lines down,
are vertical shafts owned by different mines.
So, all these black lines are different.
Different vertical shafts of different claims
throughout all of Virginia City.
They all connect to... the Sutro branch right here.
And when they get to here, they come straight our way.
This was a crazy statistic
that basically fire, poisonous gas, explosions,
cave-ins and other hazards killed or injured more than 900 miners...
Wow. - ... between 1863 and 1880.
So, that's as much... as much as documentation
as we have right now.
I'm gonna just go out on a limb here and say
that there were probably thousands. - Right.
But, not only that, this network of mines is like... just...
like veins in your body.
And all those veins are literally passing
right under all the buildings that we've investigated
for the last, what, 18 years?
So, I just have a feeling, like, it's all come down to this.
And for the very first time, we are literally going to try
to call upon all these thousands of spirits to greet us.
Now, it's time to go over our plan of attack.
Okay. So, what I'm thinking tonight
is we definitely wire an ex-camera to the tunnel
because we can't go in the tunnel.
We could still shoot through that gap in the gate. - Yes.
Light it up really good and keep an eye there. - Yes.
Okay. So, let's run another ex-camera to the old saloon warehouse.
And as we do this, Bill you came up with an experiment.
It's a double copper wire,
that's gonna run from the gate directly inside
the old saloon warehouse. - Okay.
It's gonna have a current constantly going through it.
Okay. So, this red indicates our current of electricity.
We're creating a roadway, a path, that we have designed,
that we want all these spirits when they come out of the portal,
we want them to travel to the saloon.
We're opening ourselves up for all the spirits to come out of all those mines,
to come out of all those buildings,
the Washoe Club, the Bonanza, everything.
So, everything now is just gonna fall down that funnel, come right here
to the opening of that funnel which is the Sutro tunnel.
And for the very first time
we have an experiment where we are literally going to try
to call upon all of these thousands of spirits.
We are playing with a very, very dangerous portal.
A portal, that I don't think, that we have ever faced
in our entire ghost-investigating careers.
Now, after all of this is said and done,
there's one building left everybody.
This right here is the Victorian.
We have not entered the Victorian house since we have been here.
We have not even walked inside that door.
The Victorian house is where we're gonna end.
It is officially time to start our investigation
of the Sutro tunnel
and to see if we can call upon other spirits to occupy the structures.
Aaron and I are gonna go to the mouth of the tunnel right now
to use the paranormal PUCK-2.
And we're also gonna play the saloon music
to try and entice the spirits to come our way.
Zak, let us know if you need anything.
Okay. - On the Walkie.
All right. We'll be watching.
Okay. We're headed right now. - Be careful.
Hey. - What?
Really? - Yes. Shh!
So, as Jay and I are at nerve center,
we've got a night-vision camera aimed inside of the tunnel.
We've got IR binoculars, also aimed deeper into the tunnel.
We're listening now. We're using a very sensitive microphone.
We could hear the water flowing in the tunnel.
And over here in the old saloon,
we have a table with a EMF sphere on top of that.
On the ground there, we also have another EMF detector.
And then you can see the lantern light on the ground.
That is the light that's at the end of the wire
that goes all the way staked into the tunnel.
That is our roadway for the spirits.
We thought we'd go back in time to this period,
and just have a doorway with some bells on it
and see if those bells have any movement or if they jingle at all
if a spirit manifests and comes from the tunnel.
This stake is driven down into the moisture, the minerals,
everything that is the Sutro tunnel.
And it is connected to our line with current
leading all the way back to the saloon in the warehouse.
And now the lamp is on.
And that lamp is only being powered by this battery right here
with a stake driven into the ground as a ground.
All right, Zak.
You should see the lamp turn on inside the saloon right now.
The lamp is illuminated.
The path is clear.
The line is electrified, and we're ready to try and draw these spirits out.
I'm gonna play the music.
Bill, before you do that, let's just use this connection on the Walkie here,
if any spirts can hear me on the walkie-talkie
as we're using this electro-magnetic frequency connection with our walkies.
The pathway is active. You should be able to feel that energy
and guide your way to a table where there is whiskey,
where there is also two chairs.
We ask you to travel along this active pathway.
As I am speaking to the spirts,
we capture these strange heat signatures above the tunnel
that appear to be like bursts or explosions.
Right now we're are about to introduce some 1860s ragtime piano
which is saloon music that these workers would have heard inside the saloons
after a long day working in the mine.
Did you feel that? - Yeah.
It just feels like electrifying.
It's almost like as soon as the music came on it.
Yeah, I feel it. My God. - My God.
And the wind, bro.
Wait. Hey, hey. - It's wind from the tunnel.
Wait. Bro!
That was like goosebumps. - Yeah, yeah, yeah.
And of a sudden, the wind came through the tunnel.
And there's no wind that whooshed from the tunnel since we stood here.
No, no. Hey.
If you're a miner inside these tunnels and you wanna come out,
follow the music.
We've got whiskey and cards over here in the saloon.
Just as Billy and Aaron turn on the old saloon music,
Jay and I, incredibly, hear a door creak open,
then footsteps on the floorboards in the old saloon.
And you can see through the...
Footsteps!
There was a door opening and then footsteps. - Yeah.
With what Billy and Aaron just felt at the tunnel,
did a spirit quickly travel from there to here?
Zak, come in. - Go ahead.
Me and Aaron both got to tell you this.
The second we turned that music on, man,
it was like an electric shock just shot out of the mine.
And there actually was, like, a gust of wind.
It just felt like something ran through us and gave us, like, the goosebumps, man.
It was pretty powerful.
The second you guys turned the music on,
we heard a door open in the saloon and two footsteps after that.
Stop! - And then right after that,
Jay's camera died instantly.
And just... - What?
Battery already dead?
What?
It just went off.
We barely spent five minutes. - Yeah.
Completely **** died.
Grab another battery, dude.
What? - Are you serious?
Now watch what happens to our thermal camera.
The battery starts to instantly drain within seconds.
Look at the battery right there.
What is going on right now, man?
It's two cameras that it's pulling battery power from.
I would really like to try
the paranormal PUCK kit.
Like five or six... - Let's do it.
and see if there's any responses
'cause we invoked something by turning that music on.
As Billy tries to initiate communication at the tunnel,
I decide to also conduct an Ovilus session at nerve center.
Hey, guys. I'm getting, really strange messages here.
"Starve, hang, sand,
aggression."
I know, right?
It's weird. I feel, like, happy and excited at the same time like, uneasy.
Hey, it's a rush of all emotions.
It's happiness, sadness, scariness, all at once.
It's just... whatever came out of this tunnel when we turned this music on, we both felt it
and it ran through us, literally.
Maybe they're telling... - Look, look, look.
The plan is drunk crossover.
Hey, we just heard a spirit say that the plan is to crossover and get drunk.
No way!
What the **** seriously? - Yeah, we have whiskey.
Yeah we have whiskey and cards.
Quickly.
Quickly. They're like, "Quickly. Let's get over there."
We've got whiskey and cards.
Fire.
Fire?
The house fire!
Is there anything we should know?
Burn.
Look at that.
Zak, I just typed in to the paranormal PUCK 2
"is there anything we should know?"
My God. Burn. - And it came back instantly with "Burn."
And what did it say before that? The fire.
Now, as Billy asks again if there's anything they should know,
he receives the same word that I did on a different device.
Thank you giving us responses that are...
Drunk. - Drunk! Drunk.
What does it say... - Drunk! Drunk.
Is there anything we should know and it says "Drunk."
Dude, these spirits are intelligent
and they are ready to go to the saloon, Zak.
I say that we continue the music,
and me and Aaron can go to the saloon, right now. - Yeah.
It is obvious
that these spirits want to quickly get to the saloon to get drunk.
Who is in the saloon right now that we hear walking around?
Judge Edison.
So, Billy, play the music. Be the pied piper for the spirit.
Go all the way to the saloon. We've been hearing noises there.
And I just asked who's in the saloon. It said Judge Edison.
Wow. - I'll meet you there with the XLS camera.
As, Billy and Aaron
start playing the saloon music again,
our Infrared binoculars shooting into the tunnel captures this strange mist.
Okay. Right now, Billy. He's left the entrance of the tunnel.
He's playing the saloon music.
He's travelling to the saloon in the old building way over there.
I'm gonna go meet him with XLS.
But I just wanna document to you all
that we got some incredible, Ovilus intelligent responses.
Well, not only that, you can look outside. There is not a breath of wind.
What was that?
It is, like, energized in here.
Hey, and the PUCK is happening.
All right I told you we have some whiskey.
Come and sit down right here.
Pouring shots, if anyone wants any.
Judge Edison. Are you in here, Judge Edison?
Do you feel that?
Zak, do you feel that? - What... What's wrong?
There's lights all of a sudden around his hand.
Whoa, whoa, whoa.
All of a sudden,
I start mapping in what appears to be a figure laying on the table,
almost as if it's drunk.
And another one in the back door way.
As Billy takes a shot of actual whiskey,
you can see the spirit trying to grab the glass from him.
Billy, the figure looks like it's drunk lying on the table.
It is getting his drink. - Yeah.
My God. Drink. The other one just went away.
Drink slowly.
Aaron. - Huh?
That figure looks like, it's just, like, **** drunk.
Zak, I feel **** all around me.
And a second ago, before I did that shot,
I felt a lead weight on my arm.
It just felt like someone's leaning on me.
He just went away.
But there was one in the back doorway. Two spirits.
The one on the table was just laid down on his back like he was drunk.
And he, literally, reached his hand out to grab your glass
as you were drinking it. - Yeah.
Really? - I guarantee you.
And now, he's not there. I'm just showing you guys.
There's nothing on the table.
If anything, that would be false positively mapping in a figure.
You can see, Billy's figure is mapped in.
There's nothing else.
Those figures that were there are no longer there.
Wow.
Can you come through the bells?
Walk through the doorway over to Billy.
Follow the path. I will pour more whiskey if you come here.
Anybody wants to come over here,
I'll give you a shot right now. I'll do one with you. Come on.
Whoa. What was that?
Just saw these black anomalies fly.
It's the first time I seen 'em.
Really? - Behind you.
That might be what I felt.
Because it was a lead weight on me, man, earlier.
More shot!
Whoa, whoa.
What was that? That was loud. - What the **** was that?
More shot!
Whoa.
Whoa, whoa.
What was that?
Whoa, whoa, whoa. - What the **** What is that?
I now captured the drunk spirit passed out on the ground.
And it's at this time, that Aaron starts getting very frustrated
and starts yelling at us.
Are you on the ground? - Shh!
Guys, stop! Shut up!
There's a door opening and you guys are talking and yappin' and won't stop moving.
Exactly. - Billy just keeps going.
Jesus.
What is that?
Guys, there's nothing up here.
As Aaron is upstairs,
Billy and I are across the room looking at the XLS camera
when we all notice the bells start moving
and one of the motion balls lights up.
Whoa! The light... The light lit up! Look, Zak!
You hear that? - Yes! The bells...
Did you **** hear that?
The bells! The bells! - And the balls!
I can see 'em moving from here.
Whoa, I got it. Yes.
Did you see 'em moving? - They're moving.
I'm trying. - They're **** moving, dude.
I heard them jingle.
I heard that from nerve.
Very good. Thank you.
As you can see that that board connects right underneath of the bells.
Yeah. - Thank you.
So, whatever that was, it came through there,
lit this bulb.
Now I'm ice cold.
Dude, I'm telling you...
Whoa, I feel it's building.
It's a whirlwind over the whiskey. - I know.
They want me to drink another whiskey, dude.
Bill, no. - That's a weird impulse.
That is a weird impulse, man.
Billy starts acting very strange
and has this sudden impulse to drink more whiskey.
Hey. Out of all the times we've been ghost hunting and stuff,
I've never had an impulse. I wanna drink that right now.
I want another shot of this whiskey right now.
Then, you're gonna be drunk. - It's the weirdest thing.
It's not like I wanna do it.
Can I just do it? - No. You might get drunk.
No. They're telling me we should do it. - Billy.
Cheers. - That'd be your third shot.
You've never done this before in a lockdown.
That's three. - That's three shots of whiskey you just did, bro.
It feels good. - What?
It feels good.
You okay, Billy? - I feel charged right now.
I just feel really, really good.
Hey. I think this spirit is in him and channeling him.
I was up there. And the way he came out saying,
"I want that drink. I'm gonna have that drink. Take that drink."
Yeah, dude. - Well, I'm never seen...
And now that you mentioned that, "You got drunk, we got drunk."
Like, "What's the plan?" He goes, "The plan is to crossover and get drunk."
When you were sitting here drinking,
there was a spirit that, literally, was laying on the table grabbing you.
And then, something within you shot throw that whiskey into this chair.
Yeah. - Yeah.
And then, after that, another spirit showed up over there
and in that doorway.
You have to be careful. - Listen I'm not...
There's a spirit channeling you to taste that whiskey. - Okay. Okay.
You had three shots already. - I believe that.
And we don't need a drunk paranormal investigator. - I'm just saying.
Do me a favor. - Yeah.
When I was back there trying to keep open those doors,
I swear to God, I saw something in this room back here.
Grab the polterpod and come over here. - Throw one here.
Does my breath smell like anything to do with the party?
What the ♪ does that mean dude?
Why did you... - Could you tell that I've been drinking?
No. I don't want your breath on me, bro. - Hey.
Bill, pull yourself together. - I'm good.
No. Are you gonna be able to continue? - Yes. I'm fine.
What are you doing trying to blow on him? - I was just...
Billy, over here. - It's just a check. We're just checking.
No. Put your camera down for a second.
It is at this time, I feel it was necessary
to conduct a field-sobriety test on Billy
for the sake of integrity of our investigation.
You see this line right here. - Yeah.
I want you to do this. - Follow this line. - Okay.
No, no. I see it. - Heel to toe.
Follow that line. You see it? - Yup.
Straight as an arrow.
Billy successfully passes the test.
So, we went to the room where XLS documented a figure in the back doorway.
Can you turn on polterpod?
It's a dirt floor too. - It's a dirt floor.
Wow. - Can you hear my voice?
We captured this terrifying, blood-curdling scream.
Can you hear my voice?
Was that a scream?
Who's here from the mine?
Speak.
What? - What?
"Get out, man."
We hear what sounds like a man telling us, "Get out, man."
Speak.
What? - What?
"Get out, man."
What's your name?
Whoa, whoa, whoa. - Whoa, whoa, whoa.
It was like a bird flapping its wings at me.
Just like air going whoa, whoa.
It was that intense?
Dude, it was intense. I think I was being attacked by a bird.
As we start concluding our investigation in the saloon building,
we capture this mist like anomaly shooting out of Aaron.
It is at this time that we now make our way over to the Victorian house,
where we will be entering for the very first time.
We are here at the Victorian house.
This is the house where Greg, the Vietnam veteran,
he said that he could not even go upstairs in the upper room on this side.
There's a dark and sinister... the feeling was in there.
There's countless reports of people seeing spirits in here.
We don't know what to expect.
Stay out here for a second. - Okay.
I'm gonna just do a quick sweep by myself. - Okay.
Damn. Dead vibes brewing in this porch.
Is anybody in here?
Is anybody upstairs?
Just heard a noise.
I start hearing noises
coming from the upstairs room
where Greg told us earlier he would always feel a negative energy.
Is anybody upstairs?
Just heard a noise.
Dude, I'm naturally scared.
Bill, remember that he said upstairs in that way? - Yeah.
There are all kinds of noises up there.
All of us now enter the home.
And as we near the upstairs room,
Aaron peaks around the corner to find this mirror and chair.
And then, we capture this strange light anomaly on the hand rail.
Knocking sounds? - I've heard two knocks down there.
Knocking sounds?
Do you see what I'm talking about?
That is why it's so haunted, bro.
There. He sits there. Portal. And looks out the window.
This is weird. - Let me see.
What is it, Zak?
This is where I was hearing the noises.
As I'm taking thermal stills in this room,
I capture what appears to be the lower half of a figure hovering in midair.
You can even make out what appears to be two short legs.
And when I take a second picture in the exact same spot,
the figure's gone.
What was that? Do you hear that?
Like
You heard that, right? - A **** deep growl.
Yeah.
You're probably in its area.
What was that?
Is this the same growl Nadine heard when she was in the house.
All of a sudden from behind us, we heard this growl.
Bill, I think you should have a look at this. - Yeah, let me see.
Get in here.
My God. I got the weirdest chills when I just came through this threshold.
This is the room he said he couldn't come in.
Hey, I felt like something crawled through the back of my... my hair right here.
It's still here.
That's the creepiest thing I've ever seen.
A chair facing that mirror, really? - Yeah.
I think it might be a portal. - He just sits there. - Whoa!
What? - Something just came out of the mirror.
Shut the **** up. - I swear to God. It was a **** anomaly.
No way.
I swear to God. An anomaly shot out of the mirror just now.
I'm not trying to... - Stay in the room with us, right now.
All I'm gonna do
is place this recorder in your chair right here, okay?
Can you please talk to us? Is that where you sit?
Can you talk to us?
Whoa. What was that, bro?
What the **** was that, dude?
Grabbed the back of my **** neck, right now.
Are you serious? - I swear to God.
I thought you were **** with me.
No. - You're not **** with me?
Something touched the back of my neck, right there.
Near to that... Back of that closet.
The moment this anomaly manifests near the recorder,
as if it was just speaking into it,
Billy feels something touch him.
What the **** was that, bro?
Did you **** touch me? - No.
You okay? - No.
It's probably a cigarette or cigar.
I smell that. - You do?
Yes. Hold on. Hold on.
Jesus Christ. Listen to this.
What the **** is that, bro?
I heard, "It's time to get out." And then, he got grabbed.
Listen.
What the **** is that, bro?
I have to leave the room.
And as I go downstairs, Billy and Aaron use the ITC communication device
and incredibly capture this female spirit saying, "You gotta go."
You gotta go.
Whoa. - Whoa.
Or was that the woman again?
Whoa. - Whoa.
Or was that the woman again?
Now, this female speaks again.
And I want you all to listen to how clear and disturbing she asks for help.
Help me.
And now a male voice come through and tells us to go.
Go.
"Go. Go. Go."
Zak? You all right?
I didn't hear you go down the stairs.
How long have you been standing right there?
There's something about this spot, man.
It doesn't let go. I feel like I just don't wanna leave.
Watch as this anomaly approaches me.
Then it's seen backing away as if what's affecting me has also affected it.
I felt very weird, though.
And that area just really got on my nerve.
It's all right.
Not personally.
What was that? - Did you ♪ just hear that, dude?
This is absolutely terrifying.
We all hear a strange female moan come from the upstairs room.
Not personally.
What was that?
This was one of the strangest rooms we have ever entered.
This has been an incredible investigation.
Did Zak leave?
Yeah. He left.