East ã the hearing? Rates.
Here Discovery. We're listening, Control.
How's the work on the the cargo compartment? Rates.
s operations in the cargo compartment, est ã according to the Control set.
Becky est about to perform his first spacewalk.
Hey, here we n s, Don.
J was time, Don.
Becky will make a walk in space.
Until then, Becky.
N o v get lost.
N ã worry, ã n the go. Back soon, guys.
N ã they do all the work.
- Let's leave some for you. - Thank you.
still amazed me with the beauty of the view from up here.
Does anyone want to see me doing stunts?
- Displayed. - N ã'm showing off.
- I'm just testing the equipment. - Sure est á.
- N ã to be envious, Gary. - I envious?
Continue work.
Here we n s.
Wait, I think I saw one clar ã blue.
Where, Becky? N ã'm seeing nothing.
Near the gate of release, articulaç ã in the mechanical arm.
I saw a blue light. As the flash of a camera.
J á ã n est á more here ...
Discovery here Control, landing gear extended. Rates.
Understood. Landing gear and locked.
All systems in order.
Okay, here too, Discovery.
It was a good miss the ã, but always is nice to come home, Control.
n ã You saw him? I'll tell you ...
was the strangest thing I'd ever seen á. Always wanted to eliminate these things,
were everywhere.
Paran was the fifties, I love it.
É á one cl CLASSIC, I watched v á á j sary times ...
The N ã n ã believe you watched. What time you went to bed ...
20h00?
Barada Nikto.
N ã want you to know what planet you came.
My m ã and know, of course.
Where is est á the problem?
No camera in mere 2.
What is the defect?
Stopped working for a few minutes, n ã responded to the controls.
May be a defect in the control panel.
Let me see ... n the h ã á nothing wrong.
What is the nature exact malfunction?
The lens seems to be out of focus ...
actually began to move in all DIRECTION es, out of control.
finally had to á- in off it.
- Maybe he used drugs. - Maybe you're drugged.
Well, I'm her lev á- for electronics,
while you fill the relat river est á well?
Roger that.
BOSS!
Here Tyson, 96-478, declare C F say,
a major emergency.
I need to ...
we need to ...
help.
The dr. Highman est á the way
and requested the suspension of the ã all tests until their arrival.
A preliminary scan n ã found nothing,
is only a TV camera.
Well, you est á feeling a fool,
wait for the dr. Highman come and ask because we are a TV camera,
á in the area of isolation. The EMOC ã's going to be too much for him.
Yes, yes, do it ...
Thank you.
Although the n ã h á í ences not Chief Simmons.
So the ã, why this thing keeps the í, is ã n to believe me?
Between and lift it.
Who said the ã n believe in you, Jerry?
So the ã, ã est for everyone looking me as if I was crazy?
Look, the h á ã n no way find Brady Simmons.
He was ...
Whatever is within this camera did something with it,
the disintegrated.
Come to í, send one person rather est pido this robot.
Look, whatever you're going á, let's get to the bottom of it.
Est á right, dr. Lockridge?
Jerry, you can you get me out?
N ã what it is.
N is the ã Brady.
What do you mean n is the ã with Brady?
What is this place?
How did he get?
N ã á no way the h to go in there.
Hey, what happened, Doctor?
least tell me where I am.
He says he is a man.
Oh! God, look at him, of course it is a man.
What is this place?
And where is the camera á TV?
Who are you?
Let me out á j.
Let me out!
I suppose there's a reason the ã for n ã o let out.
What the boss Simmons est á doing in the tank?
N ã n s o I á place.
Peter, explain what happened.
Teresa, return ã recs to the camera 1.
How much?
Four meters. Five meters. And keep the other recording.
Annie, speak with ... mr. Simmons.
Okay, what I tell you?
That feels, calm and we will be with him in a few minutes.
Mr. Simmons,
est á feeling well, sr. Simmons.
If it reassures, we with you in a few minutes.
N ã know how the it got I á inside.
You saw that, did you?
Bone, Bone, come see this, quickly.
Come back a little, Teresa, the very ã n, s up to where it started.
I'm saying I'm right.
Well, I confess I'm starting to get nervous, but otherwise I'm fine.
So the ã, please get me out.
Al í, í al, you saw, or am I crazy?
Must be some trick.
Yes, it's a trick, but one that we know ã n.
We take the N ã es conclusion hasty, est á well?
I est á á him, est á ã in the recs.
What?
What á h? Tell me.
I know the n ã, ã n the know ...
a mutant ... A chameleon ã o ...
something ...
Who are you?
Please login.
What you mean by that?
Everyone knows who I am.
'm Brady Simmons, N; 4-37.
Who are you?
'm Dr. Highman, Brady.
And, unfortunately, ã n I can Deix á- it out.
N ã until you tell me as you entered the í.
N ã not know how I came in here, just want to leave.
Why?
Why do you want to leave?
Please Brady let out.
Please
please let it go.
M á seems logical.
Who is she?
É's wife Brady Simmons.
Please
let him go,
he est á well.
S he wants to go home.
Please
for me,
n the h ã á nothing wrong with it.
He est á well, I swear.
É some kind of alucinaç the ã, Peter, call the home of Brady,
and make sure his wife est á á l.
Peter!
This is the ã n ã alucinaç the, Know what we have to í?
É a kind of entity which can change
its structure almost immediately to his will.
Kurt, I told you to take the n ã es hasty conclusion.
N s still ã n is the set is the ã n or an extraterrestrial entity.
Mrs.. Simmons?
I'm Mrs.. Simmons the line,
est á her home.
Now, you believe me?
What is the name of Mme. Simmons?
Kate.
Kate!
Yes?
Kate.
What est á asking us, is us to take her husband, Brady, of í, ã n is the same?
! Oh yes, they could do it, please?
Where Brady est á, Kate?
Where is he á?
He est á ...
N s n ã see it Brady, where he est á?
Tell us where he is á.
- N ã the can, made?a mistake. - Shut up, Jerry.
Kate, where est á her husband?
I n ã know.
The N ã á h, Kate, n ã is?
You fell, idiot.
Well, folks, j á was enough, let me out.
Inacredit á vel.
Whatever it is, Mrs. created. Simmons
from es INFORMATION Brady laughed at the memory,
it means he has Brady all knowledge.
Brady has the skills, their mem rias, their EMOC es ...
This est á becoming very strange ...
Hey, I'm really getting tired of this situaç the ã,
ent ã let me go out we talk about it.
É better talk with him, est in the situation ã á í cil getting diff.
Simmons, stop.
Stop!
Let placed á- you to sleep, Annie, open the v á VALVE N; 6.
V á VALVE 6 open.
- That the í É. - á Est taking effect.
Now what?
Be careful, Bone.
His pulse est á usual.
á sleep a little,
á but he is alive.
He est á alive.
Est á out of combat.
N ã have the idea how long it will stay that way,
ent ã the hurry up.
Right.
I will apply a sedative,
in order Here restore the air,
and á- it to another lev ...
The N ã. Bone, beware.
Sorry, dr. Highman,
N ã not know how to thank you.
Bone!
Tell me ã n is the I'm thinking.
N ã can be.
What is this device?
Some kind of bomb.
And est á enabled.
Self-activated to explode in two minutes and a half.
Well, who enter the tank, he let á ã n out, ã n is?
Bone worked in the program m í nuclear sseis for 10 years
and could create this bomb.
Okay, but where he managed the materials to make the pump?
By God, the n ã know the age of this thing, or how many worlds visited,
or how many ways can take.
can easily scoring the material
á necessary for rivers make a bomb like that.
Less than two minutes and counting ...
'll Get.
The N ã.
Someone has to do.
Brady ...
Bone ...
Or whoever ...
You're free á ...
You can leave whenever you want,
anyone go á stop him, I promise.
N s n ã want him hurt you ...
S want to understand ...
and ...
control you ...
a little, I think.
However, this is our nature,
good or á m, are so.
You will survive, right?
N s all going to die,
but you will survive ...
Bone ...
Bone, wait.
- Wait, let it go ... - á well Est, est á well, wait here.
Wait!
Just want to talk to you.
I gotta talk to you.
Wait!
Wait ...
Bone?
Yes, Kurt.
ã ... the N
You ã n is the Bone.
Please ...
Bone let go.
Please ...
N ã are the prisoners, dr. Lockridge.
N ã is like the ...
be in hell.
É like a ...
kind of ...
thirst.
Thirst?
As well ...
thirst?
Come with us,
and find out for yourself.
I'm offering you the universe ...
the opportunity to see everything ...
The N ã, ã n's, n's ã, ã n the ...
n ã self ...
ã n can not.
But wait, wait, wait ...
Tell me ...
why did you come here?
Why?
S out of curiosity ...
Imagine you, being a visitor of many worlds,
wandering through the solar wind,
with thousands of voices singing in his mem ria.
Now imagine this man,
á s can imagine the wonders who might know,
these wonders, now exist
just as a puzzle,
in addition to the Imagination- ã.